Swizz Beatz and Alicia Keys Bring Their Personal Art Collection to MCASD

The Museum of Contemporary Art San Diego is the sole West Coast venue to host Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys, and this is a big deal.

The landmark exhibition features more than 130 works of art from the personal collection of musical and cultural icons Swizz Beatz (Kasseem Dean) and Alicia Keys, set to the soundtrack of Marvin Gaye.

The show showcases 37 Black American and diasporic artists from Africa, Europe, the United States, and the Caribbean whose monumental works tower in both scale, conceptual depth, and technical skill.

Mahlangu, Ndebele Abstract

The Deans’ Philosophy: By the Artists, for the Artists, With the People

Originally organized by the Brooklyn Museum in 2024, Giants reflects the Deans’ philosophy and their meaningful relationships with the wide array of artists included in the exhibition.

Amy Crum, Associate Curator at MCASD, says the exhibition offers an exciting opportunity for MCASD to participate more meaningfully in crucial dialogues about Black joy, resistance, and cultural identity in contemporary art.

Many of the artists in the exhibition are already in MCASD’s collection, and the show gives us a chance to experience them in a completely new way.

From Becoming Giants to Giant Conversations

The exhibition opens with “Becoming Giants,” honoring the Deans’ introduction to collecting with a display of BMX bikes that recall Mr. Dean’s upbringing in the Bronx alongside a piano used by Alicia Keys early in her career.

“On the Shoulders of Giants” honors the intergenerational legacy of towering figures like Jean-Michel Basquiat, Kwame Brathwaite, Esther Mahlangu, and Gordon Parks, whose work continues to inspire subsequent generations. “Giant Conversations” explores the dual notions of “critiquing society” and “celebrating Blackness.”

Works in the first portion point a critical lens on social issues like homelessness, as in the paintings of Henry Taylor, or anti-queer discrimination in Nigeria in the charcoal drawings of Toyin Ojih Odutola.

The second section centers on capturing the exuberance of Black life, as in Jamel Shabazz’s playful photographs of Black New Yorkers in the 1980s or in Derrick Adams’ mixed-media panorama of playful pool floaters.

GIANTS Adams, Floater 74

A Monumental 25-Foot Work by Mickalene Thomas Makes Its Debut

In keeping with the show’s title, a number of large-scale works by artists like Derrick Adams, Arthur Jafa, Titus Kaphar, Meleko Mokgosi, Amy Sherald, and Nina Chanel Abney are found throughout the exhibition, which speak through their “giant presence” and thought-provoking content.

Not included in any of the previous venues, a monumental 25-foot work by Mickalene Thomas has been added to the exhibition and will be shown with the Dean Collection for the first time as part of MCASD’s installation. The work is inspired by Edouard Manet’s Le déjeuner sur l’herbe from 1863, and it’s one of those pieces you’ll want to see in person.

Preview Party and Free Public Opening

MCASD kicks off Giants with a series of opening events:

  • Preview Party: Friday, April 17, 6 PM – 9 PM (open to the public)
  • After Party: Friday, April 17, 10 PM at Lou Lou’s Jungle Room at The Lafayette Hotel
  • Free Public Opening: Saturday, April 18 (no admission charge)
MCASD

See you there!

Giants marks the inaugural display of the Dean Collection in San Diego, and it’s a rare chance to see how two cultural icons approach collecting art with genuine relationships and philosophy at the center.

📆 On view Saturday, April 18 – Sunday, August 9, 2026
📍 700 Prospect St, La Jolla
ℹ️ More info here

See you there, San Diego!

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